Tui Singing
Where the track lost its way in waterlogged grass
we leaned above the electric fencing to peer
down the pumice pit's slopes and ledges
at summits of tree ferns dropping below us.
Umbrellas across our shoulders struggled
to sheer off the rain and pummelling gales
that had sluiced the gulley since twelve o'clock.
Of the five we'd plucked from a tub in the garage,
the one I held, if not the oldest, had rounded
on Bay of Plenty winds more often than the rest
and its sodden blue nylon wrinkled back
up the curve of a spoke it had given the slip.
Although the gale swooped under all our umbrellas,
mine seemed the one it tormented most,
flipping it uncontrollably from a bluebell
into a drumming tulip that briefly
endured a private winter and then,
with a whipcrack, shook rain at the rain.
The storm had almost blown itself breathless
when night hung out a hammock of moon.
Now tui are gonging in drying branches
and melody tipples into the kitchen.
Reading Anita Brookner
The eyes of the girl in turquoise shoes
seem not to be moving across the page
that she hasn't turned all the time she's been nestling
into the leather chair next to Self-Help:
she may be mulling over the line
she was reading when concentration flagged,
reprocessing words without looking back;
or something else might have occurred to her,
such as whether it's wiser to wait and watch,
why we say what we didn't expect to say,
why the teenager fingering Fantasy
with Necrophile on his T-shirt in pink
wasn't sent upstairs by his mother to change
or else he could cook his own spinach dhal.
Perhaps I'm guessing she's thinking these things
because I'm thinking about them myself
in the aisle between Art and Painful Lives
with a paperback Anita Brookner
that I breathed in the smell of before I sat down
on the sofa that's altered my view.
A couple in reading glasses unfold
a red concertina with Portugal on it,
rotate it clockwise and pick out the place
where they camped in '08 that was very nice
but further inland might be nicer this year,
while the man at the table is picking up
books about aeroplanes from a small pile
and studying photographs on the jackets.
Buyers queue pensively at the tills,
skimming blurbs and first chapters or gazing ahead
with scents of espresso on their coats.
People I used to know or know now
float between lines by Anita Brookner
in daisy chains of ideas and pictures.
They recede when I concentrate on her words
to the margins and space that is always there
when we look up from reading now and then
to leave ourselves and our books behind
and live lives we live when we're not living this one.